The “Made In America Living Room”, designed by Emily Morrow Home, featured sliding chevron barn doors *made of sliced white oak from the same hardwood as the flooring in Montezuma, Indian, which coordinated with the warm gray white oak floors “Paddock”, a modified version of mid-century modern sofa made in Lenoir, North Carolina by Aria Designs, hand-woven rug and pillows made by Patricia Lukas’ Loominaries of Candler, North Carolina. The color palette of the Living Room was inspired by the American Flag which was featured among the made in America accessories.
The Made in America Community award was a nod to the “community” aspect of the prison industries enterprise which is at the heart of the Emily Morrow Home design aesthetic, artisanal visuals for hardwood flooring.Emily Morrow Finkell accepts the award as a way of showing her admiration for her husband Don Finkell’s lifetime of work with the prisoners within his program.
If you would like to locate the nearest retailer(s) who carry the Emily Morrow Home Hardwood or the Louis A. Dabbieri Exclusively by Emily Morrow Home, feel free to contact us at firstname.lastname@example.org, call 1-866-775-3877 or click here to locate your nearest retailer,
keeping in mind that our presence across the USA is growing weekly and it might not reflect the complete list of floor covering retailers.
Have you seen the news about an upcoming Made in America Exposition in Indianapolis, Indiana October 3rd through the 6th? Check it out! I think you might get as excited as I did when you see all the people and energy behind it. It might make your brain spin wondering “who” really is an All-American manufacturer. Proudly I’m exhibiting as the “Made in America Living Room” by Emily Morrow Home and showing the “Emily Morrow Home Hardwood Flooring” that is made in Tennessee by my husband’s company American OEM. Beyond the hardwood flooring we will be showing Aria Designs Upholstery that’s made in Lenoir, North Carolina, and hand-loomed rugs and pillows by artisan Patricia Lukas, owner of Loominaries of Candler, North Carolina. Just this afternoon, I had a call with another co-exhibitor at this MIA event who’s recently been stressing about the same challenges that I had: “Where do you find light bulbs or lamps that you can be certain are made in the USA? How pure can we actually remain with the various accessories that we place in our rooms at the expo? In regards to pillows, perhaps the fabric is made in the USA but the filler might be from overseas origins…where does the MIA intention begin and end? My intention is to stay within the practical realm when at all possible. The goal is to showcase all American-made products and to do our due diligence to make sure the hidden contents of the products are American as well.
Seeing through the fog
How hard is it to see through the fog of misleading messaging which products are and are not actually American-made? As an interior designer, a product designer, lifestyle brand and marketer, I have been tuned-in to this for many years. As an “insider” to the industry, you’d think it would be easier for me but it is very hard to know whose products are and whose are not American made. I can assure you that my hardwood flooring products are 100% American-made. Even our trees are responsibly grown and harvested from the eastern side of the USA and much of it comes from the great states of Indiana and Tennessee. It’s been said that “Southern Indiana grows the finest textured white oak timber in the world”. I don’t doubt that as our hardwood flooring is as beautiful as it is American.
“French oak” or “Stolen Forests”
In the hardwood flooring category, there are hundreds of products that are veiled as “European” or “American” with luxuriously European or patriotic sounding names, with American flags on the graphics, playing on the “assumption” that this or that longstanding American brand / company/manufacturer’s products are made in the United States when in fact they’re not. Although I don’t have to like this, I do have to compete in this…and this world is not only highly competitive, it’s hard. The Decorative Hardwoods Association is a great resource if you’d like to read more about the subject of timber, legal and illegal.
You don’t have to compromise
We’ll be sharing more details about the design aesthetics of our Made In America EMILY MORROW HOME LIVING ROOM over the coming weeks. Meanwhile, I hope you’ll either plan to attend or follow the event, and more importantly won’t you consider doing business with American-made companies like my own Emily Morrow Home, or my amazing MIA friends: Holder Mattress Company, Wellborn Cabinets and Loominaries ? You won’t have to compromise on style, quality or price and you might find that it will last longer, look better longer and one final thing is that you’ll have the sense of pride in the “American-made story” at the heart of your decisions. You can find our Emily Morrow Home Hardwood all across the USA as well as the Louis A. Dabbieri Hardwood Exclusively by Emily Morrow Home. Click this link to find our retailers near you and if you don’t find one, give me a call at 1-866-775-3877 and I’ll personally help you.
Check out our video library below featuring the design inspiration of our exquisite products, our OMG Proof Protection, Donatella the Truffle Dog and much more!
Inspiration. It’s at the heartbeat of the flooring industry and what keeps us all in the cycle of evolution. What inspires you? How are you inspired? When are you inspired?
Being a “creative” today is both a blessing and a curse. The blessing is that we are all constantly infiltrated with new perspectives, fresh ideas, more accessible travel, and, well, ideas. Within an instant, my newsfeed is taking me to an emerging high-rise project in Dubai; I’m in a train buzzing through wine country during harvest in an Instagram story; I’m watching a blogger’s design journey as she renovates a midcentury bungalow in San Francisco – while I am on Wi-Fi and in the air from LaGuardia to Paris. Information – too much information – is at my fingertips at breakneck speed.
Market Watch recently revealed that the average American adult spends 11 hours per day consuming digital media, which is up from 9 hours and 32 minutes only four years ago. But I did not need a study to tell me this news. My newest iPhone XS Max reveals my screen time usage, and the daily notification is staggering, to say the least. It leaves us all wondering, “Did I really look at my phone that much today?”
Do I Need Digital Detox?
While we’re consuming all of this media, how is our brain processing it? Studies show that the overconsumption of digital makes us feel differently, react differently, think differently, and sleep differently. According to a Mashable article from just a few years ago, some cognitive experts have found benefit in digital exposure and its effects on the human brain, whereas others worry that too many distractions have left our brains uncreative and impatient.
Digital has its place in the creative process; let’s be honest. After all, it’s 2019. Sites like Pinterest, Houzz, and the world of influencer marketing have made interior design and the floor shopping process engaging and attainable, and for that, the industry is grateful. But as “creative” professionals who are focused on pushing the design envelope ever forward on behalf of both the industry and our brands, how do we cut through the noise?
Slide to power off.
True creativity is not happening behind the screen. While the screen may reaffirm our ideas and give us a sense of belonging, the creative process does not begin or end on the screen. At the risk of sounding unapologetically cliché, the creative process is all around us in the most present and current sense. The creative process is sitting on the ground surrounded in paint swatches, white oak slices, frayed pieces of fabric, and a team of experienced professionals with sawdust in their eyes. It comes from digging deep in the parts of our minds, our hearts, and our souls, which technology cannot power up or power on.
Creativity is connectivity – with the human spirit, not a cable.
My most recent and prevalent example of unplugging for authentic creativity to prevail was during an African safari this past summer with my family. A once-in-a-lifetime experience, the journey allowed us to soak in the majesty of nature in all its raw splendor. From the journey, one of my newest collections was born.
Unplugging has become key to my creative process. And my wish is that it becomes key to yours as well. Keep that pen and notebook in your bag. Pull it out when an idea or inspiration strikes. Start up a conversation with the person in the plane seat next to you. Sit in a local coffee shop and people watch. Walk through a museum and read every exhibit marker. Laugh out loud with your chin up. It’s within all of this living and all of this connecting and the moments unplugged that creativity – true creativity – will flourish.
Whether or not we unplug from digital, the world isn’t going to stop. But as the future of the flooring industry and as “creatives,” it’s up to us to quiet the noise – so that we can create and continue to propel the industry forward. So, when you see me in the airport chatting up a stranger, sketching in my journal, or soaking in a beautiful moment, you’ll know it’s intentional.
Let us power off and create.
Where do you go from here? How do you power off more often? Here are some simple tips from Digital Detox to help you unplug:
Start your day right: Get up, relax, and eat a healthy breakfast instead of reaching for the phone.
Go old school: Get an old-fashioned flip phone instead of a smartphone.
Do more: Pack your day full of person-to-person meetings where you commit to not reaching for the phone.
Bring a book: Pick up a good read.
Download an app: Get some tech help in monitoring the time you spend on the phone.
Go on a digital diet: Reduce your time online by 10 percent.
Take a mini break: Leave your phone at home for a day.
Streamline your work: Ask that people connect with you only through one medium.
Get active: Jog or bike to work, phone free.
Leave your work behind: Consider a work phone and personal phone and utilize out of office.
Involve your friends: Invite your friends to keep you accountable.
Lock up: Ask a friend or partner to take your phone for a bit.
Set a strict technology bedtime: Your technology needs a bedtime, too.
Schedule some free time: Schedule tech time and then turn it off.
Be more in the moment: Go for a walk and soak in your surroundings.
Just switch it off: Enough said.
Emily Morrow Finkell is an interior designer and CEO of Emily Morrow Home Hardwood, a div. of EF Floors & Design LLC in Dalton, Georgia, a provider of hardwood floors and home furnishings, and an NWFA design contributor. She can be reached at email@example.com.
Are We E-volving into Digitized Flat-World Consumers?
Did you know that the world is not flat? (Tell me something I didn’t know, right?) Well actually it’s way more than just round... Ancient greek philosophers like Aristotle, Eratosthenese and Pythagoras theorized that the world was a sphere and then centuries later explorers like Galileo and Magellan went out and proved them right. Navigating by the constellations above the horizon or seeing the round shadow of the earth during a lunar eclipse was ample proof that the earth was indeed not flat. “How does this tie into our modern day world of design?” you might ask. The world we live in today is round and yet many designers, consumers and hosts of companies who provide products for them treat the world as if it’s one dimensional. Look around you and consider all of the decisions you’re making based on a flat digital image. Our very tastes and behaviors are evolving towards what looks good on our Instagram accounts.
What looks good online doesn’t always look good in real life
As a professional interior designer who started my career 30 years ago, just before the internet became a thing, I have ALWAYS been drawn to textures that begged to be touched, memorable experiences that were intended be shared and artfully-layered interiors that beckoned me to sit for a while. Truly GREAT DESIGN, in my humble opinion, is steeped in art, science, architecture, culture and even a little bit of psychology. If done right, a well-designed space should invite the eye to come in, look around to find a focal point, experiencing the room in not only 3-D but by engaging the five senses.
Luxury Hardwood Flooring with “Good Sense”
With all of these thoughts in mind, take a little “Design Journey’ of your own through our newest collection of hardwood flooring, designed by an interior designer (yours truly), intended to be experienced by all five senses, and made to be a cut above everything else you’ll find in any big box store. Our hardwood flooring, like a luxury-performance vehicle, is not only beautiful, it demonstrates artisanal excellence that’s hand-crafted in the USA by an American hardwood flooring icon like my husband Don Finkell and his expert team who are passionate about what they do.
I am beyond thrilled to bring you luxurious hardwood flooring that, although is GORGEOUS, it performs well under a variety of conditions…whether it’s for a city dweller who sometimes spills a little coffee, or a dog-lover like me whose pooch splashes a little water or the busy family dashing out for a run or to tennis practice…bottom line, Emily Morrow Home is proof that beautiful design and great performance can be one and the same.
To borrow a fast food phrase, this season you can really “have it your way.” Do you want to use deeper, darker hues, or enjoy the ethereal effects of a layered off-white interior? Both are possible if you can’t decide.
Let’s say you’ve been eye-balling everything that pops up on social media feeds featuring navy blue or charcoal grey, but are afraid of being tied to that depth of hue. Do you think you might not want to live in so much darkness? Perhaps you’re imagining yourself coming into your home with the dreamy, creamy coolness and luxurious layers of off-whites and soft tans? That too is possible. In fact, you can do it all; it’s just a matter of balance – balance and a little smart strategy. The market certainly is offering endless options to consumers and providing tools making it easier to imagine via Pinterest, Instagram, and Twitter.
Just yesterday, I opened my Instagram feed to see several posts from paint companies, design firms, and furniture companies featuring headlines like “dark walls are amazing, especially when paired with a pop of brushed gold and a lot of natural light.” Usually, when anything is trending upward, people can get stuck in a wait-and-see mode until they start to see the various ways it can be done and they find one that seems familiar and doable for their own home.
Don’t Be Afraid of the DARK
When designing any category of flooring for upcoming trends, it goes without saying that we know quite well what colors homeowners are going to be drawn to and what they’ll be choosing for the new colors as they plan their updates. For me, it’s always fun to find a few surprises, and believe me, there are quite a few right now. One of the biggest surprises is that grey is still right in the mix. Seriously, since 2007 I’ve been pontificating about grey and eventually dealers started seeing the “value” of the color (if you’ll pardon the pun)…consumers were asking for it, and the dealers responded by buying pallets and rolls of grey flooring to fill consumers’ demand for something new, grey.
Whether it’s the Color Marketing Group (CMG), Pantone, Elle Décor, or House Beautiful, fashion and interior designers, design editors, and homeowners are still loving grey. It is making gradual changes and is finding new ways of entering spaces, either by undertones of other colors or by partnering with vibrant hues or extremely light neutrals. But no doubt about it, grey is still strong. Personal expression is going to be driving the trends – while they seem to be going in every different direction, the personalized element is the common thread.
My home is a petri dish
My own home has always been the best petri dish for anything going on in design, and I’ll admit that my paint colors have been grey since 2006 or 2007, starting with my Revere Pewter at both my former and my current homes. From our current home’s front door, which is “Bear Creek”, to our living room and keeping room, which are “Wrought Iron” and “Chelsea Grey”. What I love about grey is what the rest of the world loves about grey: it is so easy and looks smart. Whether your metallic finishes are oil-rubbed bronze, nickel, or the newest brushed gold, grey simply works. I know we will reach a day when we are ready to pitch it all out for something that is inconceivable today. I do remember when grey felt old and tired and we were drawn to warm colors like Hepplewhite Ivory and Adams Gold, circa the 1990s.
I think the best way to encapsulate our new color trends discussion is to start at the end of 2018, where we began to see and feel “Inhale” and “Release” from CMG, a creamy white associated with deep meditative cleansing breaths to minimize stress as well as open up smaller spaces, visually expanding them. Who wouldn’t love that? White isn’t the only option for a small space.
Then we turned the calendar page and leapt right into 2019 and discovered a new grey, City Grey, an internationally acclaimed dark neutral that is very dark, 70 percent black. Darker shades can play up the size and make it feel cozier. Dark colors blend and blur lines and corners much the same way they do in fashion and flatter practically everything that surrounds it. While we may have felt the “ahhhh” of the “Inhale and Release” in December, that was just to get us through the end of the year and ease us into the urban vibe and faster pace of 2019 with City Grey.
What’s new about this grey, you may ask? This has a little sheen to its finish, unlike the matte and muted greys. We are finding these greys influencing our other colors in the trends list. For example, our deep green certainly is deepened by black, and greyed pastels are tinted by lightening it with the addition of white.
According to CMG Contributors Judith van Vliet, Sandy Sampson, Mark Woodman, and Maryanne Cole, “Urban and urbane, City Grey is the look of color modernity. Originally emanating from CMG’s Asia Pacific 2017 color forecasts for 2019, its appeal is international, and its applications seemingly endless.
“Strong, decisive, and influential, City Grey is appealing as a neutral color that is anything but neutral. Its depth defines its bold stance, its contemporary attitude, and its decisive industrial edge. It connotes the foundation of the urban landscape, the hushed night as it falls over a city, and the fortitude of a cityscape.
“For interior, it casts a like attitude. Simple enough to coordinate with other aesthetics, City Grey is capable of standing on its own. As an accessory piece it takes on new substance; as a background, it demands to be seen; and in furnishings, flooring, textiles, and more, it creates an interior environment that comforts with its depth.”
The Dark Side
Overall, when you turn the pages of shelter magazines in the coming months, you’ll see deep, dark, not gloomy, but certainly dramatically dark receding walls, and mid-value darkish flooring accented with large-scale patterns in various pops of color in accessories. The deep greens we are seeing are akin to the hunter and pine greens of the late 1980s, as are the inky navy blues. The combination of the navy blue, hunter green, and a swath of black make Black Watch Plaid, which has made its presence known across various categories from runway fashion to interiors. Ralph Lauren elevates this trend well with the Black Watch Plaids from RL Home and RL Mens and Womenswear, as does Barbour for men, women, the home, and pets.
What does our industry do with this type of information? For starters, this information is applicable to your graphics, your logo, your brand imaging, and even your room scenes. And don’t forget that your retail and digital presence should reflect that you not only know the design trends but also know how to pair them with flooring. Your team should also be well-versed in the design and color trends so that they too can reflect your company well.
Emily Morrow Finkell is an interior designer and CEO of EF Floors & Design LLC in Dalton, Georgia, a provider of hardwood floors and home furnishings, and NWFA design contributor. She can be reached at firstname.lastname@example.org.
By, Emily Morrow Finkell Published in NWFA Wood Flooring Magazine FEBRUARY 1, 2019
I’ve been in the interior design profession for what feels like a lifetime (nearly 30 years) and in the floor covering industry for more than 15 years. After all that time, it still always takes me by surprise when someone I consider to be experienced asks a question about where they can install hardwood flooring or the type of flooring they should use in specific projects. Recently while traveling, our guide said something that was both profound and witty: “I can explain it to you, but I can’t understand it for you.”
What I strive to do for my customers, friends, and the greater design community is to identify what they need to know, pinpoint what they don’t, and help them fully understand. One of the ways I do this is through a presentation I frequently present at designer events titled NWFA: Designing with Wood Floors. The CEU-eligible presentation analyzes the use of wood flooring as an element of design so that design professionals can become more familiar with wood floors to properly specify the product that will perform best in their clients’ projects. Being able to understand the advantages and maintenance of hardwood floors is part of growing in understanding hardwood flooring.
Furthermore, it dives in deeper in helping designers understand both the history and progression of the different types and species of wood floors so that they can specify hardwood floors in the best ways. Finally, the course helps explain how cut affects both the appearance and performance of wood floors. This is where I take off my industry hat and put on my designer hat and compare hardwood in the same light as diamonds, where the cut, clarity, and color change the look and value of the materials with which you are working. Hardwood floors are an organic material that naturally responds to its environment and can change over time. It’s important that designers have realistic expectations in regards to its performance and can explain that to their clients.
The Royals loved herringbone flooring
Historically hardwood floors were only enjoyed by royals and upper-class individuals because it required intense labor by expert craftsmen who would work on one floor for years. This is why many of the castles you might visit on a trip throughout Europe will still have the original hardwood floors intact. During our trip to Normandy, France, every interior we walked through, both modern and historical, had intricate herringbone and parquetry designed hardwood flooring. This is due to both the ease and accessibility of the smaller size of the wood used by the craftsman as well as the fact that these herringbone and parquet designs were, and still are, incredibly long-wearing if maintained properly.
Currently, we have a very diversified market where we can install on a wood subfloor or concrete slab, opening up more and more homeowners to the possibility of having hardwood floors in their homes. Today’s preferences are for domestic species like white oak, maple, and hickory with waterborne finishes due to increasing EPA VOC regulations. It has reached the point now where it’s expected that the products will be GreenGuard certified, and don’t be surprised for the specifier to ask about the safety of the product.
The shift in the marketplace has gone from primarily solid and partially engineered to the reverse due to the versatility and dimensional stability of engineered hardwood floors. There are plusses and minuses of each, but the plusses are now stacked more strongly behind engineered. Most people want a certain look at a certain price, and engineered hardwood floors allow manufacturers to take a particular cut of hardwood that might come at a premium and make that the featured surface layer of their products. Both solid and engineered floors can be sanded and refinished, but solid offers the opportunity for more numerous times than engineered. The sandability of engineered hardwood floors depends on the thickness of the top veneer layer. Additionally, engineered can be installed above, on, or below grade. Because of its cross-ply construction, engineered floors are more dimensionally stable, allowing for installation on wood or concrete subfloors, which includes basements.
What are the NEWEST Colors and HOTTEST Finishes?
Beyond solid and engineered, the options shift to finishing, which includes site finished, where the finish is applied on the jobsite. The other option is factory finished, where the finish is applied at the manufacturing facility. The manufacturing environment for factory-finished products also allows for enhancements like UV lights on the finish line, as well as adding aluminum oxide for scratch-resistant surfaces. Another aspect of finishes is that the color possibilities are truly endless; there is something for everyone. The 2019 Essential Trends: Color and Style Forecast for hardwood floors was recently released in the October 2018 issue of Hardwood Floors and further details my thoughts on the colors to watch this year. Grays are still strong, taupes are on strong hence the Emily Morrow Home 2019 Color of the Year being named “Tusker Taupe” as well as gesso-plaster white effects as well as the other end of the spectrum with the luxurious deep black of “Total Eclipse” and dark chocolate “William & Mary” (pictured below).
Luxury hardwood is like diamonds
As in diamonds, the cut of hardwood dictates its appearance. In the 1800s, quartersawn was typically used due to both the fashion and function of the times. Today, many hardwood floors are made from plainsawn cut wood because it is a more efficient cut with less waste. In the design world, I frequently get requests for rift and quartered partially for its look as well as for its cache. Rift and quartered is more efficient today with minimal waste but has a longer production time, which does add to the expense of the product. See the graphics below for additional details on how the different types of cuts affect the appearance of the wood.
There’s Nothing Like the Real Thing
The performance of hardwood floors always comes as a surprise to non-industry persons. Hardwood is hygroscopic, meaning that it absorbs or loses moisture based on the surrounding environment, swelling when it gains moisture and shrinking when it loses moisture. Hardwood is a natural material and should be desired more for its natural imperfections than for its perfections. If cared for properly and in areas that aren’t exposed to moisture, hardwood flooring can be a lifetime investment that adds not only beauty but also value to your home. It is the only flooring category that is known for adding to the value of the home rather than adding to the cost, and that’s because it’s the real thing, not a copy of a wood look.
Caution: Having Hardwood floors Can Make you LOVE your Home More
The bottom line and the sweetest part of this flooring material is that its advantages and benefits far outweigh any negatives. It adds stability and overall value to the structure, provides excellent insulation, and is durable, long-lasting, hypoallergenic, beautiful, sustainable, and timeless, creating a sense of pride and enjoyment for a life well lived.
Emily Morrow Finkell is an interior designer and CEO of EF Floors & Design LLC in Dalton, Georgia, a provider of hardwood floors and home furnishings, and NWFA design contributor. She can be reached at email@example.com.
Here at Emily Morrow Home, we’ve been busy putting the finishing touches on our beautiful new hardwood products and our theme this year is “Design Journey.” If you find yourself in Las Vegas this coming week, please plan to come visit us in Booth #925 at Surfaces 2019! You won’t be disappointed in our gorgeous new products, unmatched craftsmanship and designer-inspired color palette.
Also, we’re very proud to announce that Emily Morrow Home is nominated for three Floor Covering Weekly Dealers’ Choice Awards. Visit ourCampaign Page for more information on how to post to our selfie “Snap and Give” campaign. For every selfie submitted Emily Morrow Home will be making a $3 donation to the Floor Covering Industry Foundation.
To find out more about what FCIF is doing for those in the flooring industry click here. Please #VoteEmily!
While considering what to write for the “40 Under 40” issue of Hardwood Floors, I was reminded of some vital life lessons, ones that we all can learn at any age, and at any level of success. Typically, my articles focus on topics such as color, consumers, or design trends with titles like How to Use the Mega Trends or How to Design Your Interiors. This time, there’s a different insight I’d like to share, How to Design Your Life.
In my hometown of Dalton, Georgia, I am surrounded by some amazing success stories of industry icons. Known as the “Floor Covering Capital of the World,” Dalton is famous for entrepreneurial, hardworking, forward-thinking individuals. It’s also one of the most productive manufacturing areas in the U.S.; our hometown values emphasize “going to work and rolling up our sleeves,” according to the Greater Dalton Chamber of Commerce. There is an energy and a sense of community pride. Dalton is not unique in the number of individuals who are in their encore careers, but it is special because it’s the heart of the floor covering industry and our enterprises.
How many of you have wondered if your career path was the best direction? Or was your decision made out of necessity due to your circumstances? Regardless of your answer, my experience has taught me that each path you take always helps to build and prepare you for the next one. We all experience moments in our lives, either following graduation or a geographical move, when we accept a job where we don’t feel we are fully utilizing our skills, passions, or abilities, or the culture is not a good fit.
Look inward and think about your journey. Mine, for instance, began with a bachelor’s degree in Interior Design with a concentration in textiles. After I graduated in December 1989, job openings for college graduates were down 13.3 percent, and the job market had become one of the most competitive times since the early 1980s. Lucky me, right?
It’s true that necessity is the mother of invention, and so I took a job with a womenswear company in West Georgia, where I did everything from emptying the trash cans, to answering the phones, to assisting at sales meetings, to helping choose fabrics, patterns, and accessories for the collection. The owners, a husband and wife team, were the second generation of a menswear manufacturing business, and they gave me an opportunity at a time when I needed it most. I was and will always be grateful for that year because those experiences enriched my resume and expanded my skill set, even though that job had nothing to do with interior design.
Next, I took another opportunity with a retail furniture company that was expanding to Carrollton, Georgia, from their base in Rome, Georgia. They needed a professional interior designer on staff to organize their resource room of fabrics and finishes, to put together vignettes for their store, and to sell well-designed rooms to their customers who expected a white-glove experience. The store owners, another second generation family business, were well-versed in how to treat their customers with the highest level of attention. I have adopted this white-glove service mindset as part of my work ethic and infused it into my daily approach.
In year three, I was finally able to start my own interior design business, doing both commercial and residential projects. It was hard work, and I did it while being a mother to two young children. Life has a way of throwing us curves, and I found my children and myself back in my hometown of Dalton, Georgia, as a single mother with a heavy responsibility. After a few design projects were completed, I realized I needed something much more reliable. So I transitioned from an interior design business to the corporate world for the much-needed stability and benefits.
Enter Shaw and PatCraft. From the entry-level Associate Colorist to Senior Stylist, and eventually Director of Color Style & Design for Carpet and Hard Surface, I consider this the fourth chapter in my journey. It was in this chapter that I could finally look back and appreciate each of the previous steps. Every step allowed me opportunities for exposure to new things, professional and personal growth, as well as platforms from which to fine-tune my strengths and passions. After 13 years working at Shaw, I found myself at a very happy crossroads with some hard decisions to make. I ultimately decided to wrap things up with a neat bow and say my farewells to my Shaw family, with a wink that I might want to return someday, and retired early.
No one told me how much our identities and self-esteem are wrapped up in our profession. I didn’t expect to find myself longing for work, but after a few months off, I created a grand plan to make my personal life and my professional life come together in a way that dovetailed all of my strengths and passions with my husband’s. I formed a corporation, EF Floors & Design in September 2015, which quickly evolved into a brand, and thus Emily Morrow Home was born, aka my fifth chapter. I have loved every step of this chapter, even the hard ones. There have certainly been unseen challenges that have come along, but they’re also some of the most significant opportunities I’ve had to learn and grow.
The best part is that I’ve found myself looking around seeing others who are in the fifth, sixth, or even 10th chapters, later-in-life career changes or altogether new pathways. Some close friends have gone from respiratory therapists or accountants to interior design. Others have gone from stay-at-home moms to heading up large foundations and executives in corporations. You may have been noticing articles and news stories on “encore or second act careers;” they’re fascinating. AARP is one of my new favorite magazines (don’t knock it till you try it). Two of the best headlines they’ve featured are 70 Is the New 65 and New Rules of Retirement. They are worth pausing to read.
One that I’ve had on my desk for a week is titled Really Ready to Retire? by Jeri Sadler and Rick Miners, co-authors of Don’t Retire, Rewire! They compiled a list of seven things to consider before retiring, and these same questions apply to all of us at any age. Some of them include:
What ambitions are you waiting to fulfill?
What will make you rise each day as excited as you were at the high points of your career?
To what extent will you be in service to other family members once you retire?
So many young and “less young” professionals change careers and ask themselves if they’re making the right decision.
The good news is that we have generations of mentors surrounding us that we can look to for examples of how, in retrospect, each step is critical in building a career. Obviously, for those highlighted in the December/January issue of the magazine, you’re doing quite well and are to be commended for taking the initiative and learning all you can in your current chapter. If you are on the “Fabulous 40” list, you might consider taking on a mentoring role with someone less experienced or not as connected as you are as a way of paying it forward to those who have helped you. We all have so much to learn from one another; the 20 somethings can teach the 50 or 60 somethings a thing or two and vice versa.
I once had a handful of direct reports who were twice my age and possessed 10 times more experience than I did and yet each one of them was incredibly gracious and shared their knowledge when and where it was appropriate. Take some time to think of all those who walked before you to open a door, or worked shoulder to shoulder with you to teach and train you so that your journey was better. We should not only give them some credit, but we should also give ourselves some credit for having open minds, eyes, and ears to their wise counsel and example.
Emily Morrow Finkell is an interior designer and CEO of EF Floors & Design LLC in Dalton, Georgia, a provider of hardwood floors and home furnishings, and NWFA design contributor. She can be reached at firstname.lastname@example.org.
Here are some compelling reports on the subject of careers and choices of work, income, culture and priorities:
Forbes: Job-Hopping Millennials Offer Benefits to Employers While Being “Selfish”
Job-hopping is in, and being stuck in a dead-end job is on its way out — and that’s good for everyone. Job-hopping millennials are more likely to earn a higher wage, develop their career on a faster track and find a better fit in work culture by changing jobs more frequently. The stigma is lessening as the positives are revealed. One CareerBuilder survey shared employers expect 45% of their newly hired college grads would remain with the company for under two years, and the study showed that by age 35, about 25% of young employees would have worked five jobs. Employers are aware they’re hiring job-hoppers as millennials find their footing in their career development, learning to make healthy choices rather than staying stuck and unmotivated in a job that’s not beneficial for either the employee or employer.
Generation X — not millennials — is changing the nature of work
Demonstrating loyalty, a willingness to take on a heavy workload, and a powerful combination of digital and traditional leadership skills, Gen X is producing highly capable leaders that are in danger of being overlooked. Organizations that want to retain and develop their Gen X leaders should:
– Provide leaders with more external guidance. While Gen X leaders are loyal, they are craving insight and knowledge from mentors outside of their organization. In fact, 67 percent of leaders said that they would like more external coaching, and 57 percent wanted external development. Employers should invest in helping Gen X leaders participate in outside professional organizations, industry conferences and other groups to foster relationships with external peers and mentors who can provide coaching.
– Encourage leaders to challenge the status quo. Many organizations may look to millennials to lead innovative projects, particularly those that are tech-based. But Gen X leaders are likely to thrive when given the opportunity to experiment with new approaches and challenge existing methods. Ideally, a cross-generational team — perhaps led by a Gen Xer — may deliver the most innovative solutions.
– Leverage technology to support traditional development. Like those in other generations, Gen X leaders said they still want traditional learning methods, such as formal workshops, training courses and seminars. However, they also enjoy the personalization and convenience offered by technology-based tools. Blending traditional learning methods with tech-enabled tools to enhance and solidify learning will help them make the most of their development opportunities.
The oldest Gen X workers will likely still be in the workforce for at least 10 years, and the younger members of the generation may still be working for more than 30, meaning that Gen X will be forming the backbone of organizations’ leadership for quite some time. Those that overlook Gen X in favor of focusing only on the youngest generations entering the workforce will miss out on a deep and valuable source of leadership potential.
Now is the time to focus on strengthening the skills of Gen X and further developing their broad range of skills.
Storyboards are essential to the design process and help Emily Morrow Finkell transform inspirations into products.
They heard it before they saw it. For several days, Emily Morrow Finkell, CEO of Emily Morrow Home, waited to witness the “Masai Mara,” a migration of nearly two million wildebeest across Africa in search of greener plains and savannas. On the second to last day of her trip to Kenya this past August, while perched atop a safari jeep with husband Don Finkell, CEO of American OEM, cameras and scopes zoomed in, Morrow Finkell saw movement across a nearby river. They felt the wildebeest hooves echo like a rumble of thunder as they took off in a blur of color — a moment that would later serve as the chief source of inspiration behind Emily Morrow Home’s 2019 hardwood collection. For a short video clip of this experience, click this link “Emily Morrow Home’s Design Journey“.
“You can see the dust, the wildebeest, the zebras and other smaller animals all getting caught up in the herd as they’re migrating. They’re giving birth, they’re dying, there’s this whole circle of life story that was the biggest key for my products,” recalled Morrow Finkell. “Our products are natural and when you bring them into your home, you’re living on them, you’re experiencing important chapters of life with them. And they’ll last, they’ll be there for it all.”
Dalton, GA: The Emily Morrow Home collection for 2019 is twelve-SKU range of cooler browns and warmer grays, drawn from scenes Emily Morrow Finkell, CEO, observed of lion fur, zebra manes and the hides of rhinos, elephants and, of course, wildebeests. But her recent visit to Kenya isn’t the only story — a mixture of other memories and travels also appear in the upcoming collection.
For example, Paddock, a gray brown with subtle shading, ushers in sights from the Kentucky Derby. And, similar to that, Justify is a warm brown that mimics the Triple Crown-winning racehorse it’s titled after.
“The one thing I can’t not be is personal. Even when we have had designers and architects help with the inspiration, providing so much input into the products, colors or finishes, we work together on the naming process,” Morrow Finkell told FCW during a visit to Dalton. “There’s a reason behind why we do it. I think everyone likes to have a connection to a name. It makes it more memorable and we can immediately call to mind with our imagination the reasoning of the names.”
Each SKU is different, whether it comes down to an oil-rubbed look, a super dry low gloss, an ultra-micro bevel or a white plaster imitation. Yet despite the variability, there’s still some flexibility with the possibility of further customization.
“We find ourselves collaborating with a number of groups, such as for luxury high-rises, when there are times a project calls for something more unique or special to best fit that space,” said Morrow Finkell. “Everything is semi-customizable and we’re going to take that to the next level. That’s not to say that people won’t find exactly what they want with our original creations, but if our customers feel they need to make something more custom, we do have that design flexibility.”
One aspect that is the same across the collection is the addition of MorCore, which will give the floors an enhanced 3.55 mm wearlayer. The thicker platform, Morrow Finkell mentioned, is in response to designers asking for a little bit more when it came to the wearlayer, which is previously 2.5 mm thick. Both, however, also come with a “Donatella the Truffle Dog” scratch resistance.
For Morrow Finkell, the collection now has even more to love. With a greater durability, an increased width and length, and a higher impact resistance, Emily Morrow Home wood flooring can be used for both residential and commercial undertakings. In fact, the new white oak option in taupe, which features a smooth surface and is seven inches wide, is currently being installed with Apex Wood Floors for a commercial project to elevate a luxury appliance showroom in Chicago.
“Because our products are so incredibly well-made and constructed — all the way down to the wearlayer, warranty and finishes — they can go across all categories with no issues or hesitations at all,” explained Morrow Finkell.
Morrow Finkell also suspects there will be a few winners in the new collection of twelve, but she’s excited to see the market’s real response. For her, it’s about creating something fresh, but not something so new that people can’t embrace it and put it in their own homes.
Currently, advance previews of the collection are being shared with select customers across the U.S., but is set to be fully unveiled at the Carpet One winter convention in early January with Emily Morrow Home as a vendor to CCA Global Partners, then at TISE later that month and Domotex USA in February. The collection announcements will also include EMH’s 2019 Color of the Year.
Emily shares the Essential Trends in 2019…Color and Style Forecast with NWFA Magazine October 1st, 2018 issue. Read below for the entirety…
While it’s still 2018, those of us in product design and the development world are already living and working well into the 2019 calendar year. What, you may ask, does next year have in store for design trends, especially those that will impact our hardwood flooring choices? Here, I will share some very important and exciting insights that might just surprise you.
As someone who has not only professionally forecasted design trends and applied them into successfully selling collections, but has also practiced interior design for 30-plus years, I absolutely love this time of year when we start seeing product design shifts.
In my past life as Shaw’s Director of Color Style and Design for soft and hard surfaces, my scope had to be much broader. I had to focus on the aspects that all fit together so that the carpet colors and the hard surface colors would not only be trend forward, but also be salable. These colors had to have broad application across the United States, and that part has not changed one bit. It is that deep and wide background that enables me to successfully forecast well into the coming year with significant accuracy, knowing what’s essential for flooring collections that will be selling. Now that I’ve explained the groundwork, let’s dive into what we will see in 2019!
Many people ask me whether I think gray is staying or going away. My answer is based on the responses I have gotten when working with specifiers and designers, and looking at what finishes are going into projects a year from now. Gray is still with us, and still a very viable and necessary part of a product mix, perhaps even more so in hard-surface finishes like hardwood flooring. You also might see very colorful trend alerts from professional organizations like the Color Marketing Group, where pastel pinks, bright yellow golds, and blues are trending upward. There should be footnotes on these trend reports that spell out in fine print that these are accents and relate to broader product categories like apparel, interior accessories, cosmetics, and even automotive colors. That being said, these accents are like the colorful necktie on a stylish navy blue suit. The foundational color palette is what matters for us in the hard surface floor covering world.
Over the years, when speaking at design events and presenting trends, I have referred to the foundational color palette as “commitment colors,” indicating the big pieces of furniture, built-in cabinets, or other types of large surfaces that are not easily installed, replaced, or moved. This means that specifiers and end-users acknowledge that this surface color will be there for an average of five to seven years before it’s replaced. This space, this very myopic color palette, has been my primary focus recently.
The catalysts driving the foundational color palette currently are not just color-related, but also visuals and textures that are nature-derived and can be best described as aspirational luxury. Make note: This overview is what many would call the high-altitude view. You can expect to see marbles, granites, and limestones that are above and beyond your ordinary colors or names like Baltic Brown. The look is slightly more unique; the names and veining are a little on the exotic side. In general terms, these are names that most homeowners are not acquainted with, like Pietra Grigio or Nero Marquina. Aged travertines, Bianca Dolomite whites, gray-veined Carrara, and gray-gold veined Calacatta marbles, gray and black soapstones, and even gray poured-concrete slabs. Overall, this naturally derived color palette is generally cool; you will also see emerging warmth from luxurious onyx, Emperador Dark Marble and wood species like walnut.
2019 Color Forecast: Nature’s Neutrals
Black Eclipse: feeling more dark charcoal than a straight-out ebony black, Eclipse is just as the name implies, a shadowy black that works best in premium-quality hardwood where the grain is straighter, certainly no application on a rotary cut hardwood. Again like a shadow or an eclipse, there is no reflective quality to the darkness, simply matte darkness, velvety, if anything, in its appearance.
Emperador Dark Brown: Emperador Dark Marble is a rich brown marble that can change from slab to slab depending on how much and where the white veins run. Rich browns are on the horizon in hardwood flooring in the form of rich matte chocolate browns, especially in the walnut species. Walnut, in the right color family of brown, is and always will be timeless and salable. Walnut, although not as hard as other hardwoods, is making a strong showing in both commercial and residential interiors. Overall, one of walnut’s best attributes is that it can be mixed in with a variety of design styles and with a variety of other surfaces.
Bermuda Stone Gray: gray is enjoying a very long and successful life span. Since its first showing in 2007, gray continues to reign strong in every consumer goods category as a go-to neutral, backdrop blank-canvas type color, which bridges easily with other colors and also serves well in a wide range of design styles from mid-century modern to rustic farmhouse. Gray continues to become more and more refined as it evolves. Currently, grays have segued into that look and feel that is silvery, patinaed, and aged, yet smooth in texture.
French Limestone: The chicest hardwood color is in the same family as reclaimed French limestone. A quarried look and feel is the target texture. Not quite scraped, not quite wire-brushed, not quite chiseled, this actual color creates its warmth through the just right off-white with zero yellow, zero pink, just warm like the stone you’d see in an old château in France.
Sea Salt White: Speaking from recent experience of admiring the Bermuda sands on a recent trip, Sea Salt off-whites are akin to a mist with hints of color only from reflections of the surf and sand. Looking to find off-whites, you can certainly find the similar influences from my mega trend of plaster-gesso whites from 2017 and 2018. In keeping with gesso and plaster, Sea Salt is matte, and more importantly is not flat, nor opaque.
I look forward to the year ahead and hope that the Nature’s Neutralspalette explanations I’ve shared help clarify and define in your mind what is going to be the essence of 2019 design for wood.
Emily Morrow Finkell is an interior designer and CEO of EF Floors & Design LLC in Dalton, Georgia, a provider of hardwood floors and home furnishings, and NWFA design contributor. She can be reached at email@example.com.